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Wednesday, September 14, 2011

CRITICAL MEDITAVISM one year after (September 14, 2010 - September 14, 2011)


One year after the manifesto of the CRITICAL MEDITAVISM (Meditavismo Critico) has been disclosed using many ways and today the manifesto of the art movement is deposited on the Historical Archive-Library of the Rome Quadriennial Foundation ( Archivio Storico-Biblioteca della Fondazione Quadriennale di Roma - ArBiQ) and the hope is that more and more worldwide art institutions will have a copy.

English version
MANIFEST OF THE "CRITICAL MEDITAVISM"

1. The Critical Meditavism is an art movement of interior nature that places the art in the centrality of the demands of the human spirit and that qualifies the artist as a scientist and explorer of the human creativity.
2. The Critical Meditavism, as art movement, is opposed to every form of materialism and considers itself son of this time.
3. The Critical Meditavism is founded on the principles of freedom, peace, truth, independence and moral and intellectual integrity of the artist with regard to the civil, political and religious society, whose he himself is expression.
4. The Critical Meditavism is transnational because it belongs to all humanity in general terms.
5. The Critical Meditavism recognizes all the main art movements previous to it and it is placed in a position of overcoming of the physiological limits that these have tried.
6. In Critical Meditavism the artist puts himself in the center of his inner world and his outer world.
7. In Critical Meditavism the artist puts himself in the center of his material world and his immaterial world.
8. The Critical Meditavism is based on the concept of "absolute mental empty".
9. In Critical Meditavism the concept of "absolute mental empty" is expressed in the quality and capacity of the artist to be the scholar and the impartial observer of his own creative thought.
10. In Critical Meditavism the concept of "absolute mental empty" is expressed in the quality and capacity of the artist to be the scholar and the impartial observer of his own creative action.
11. In Critical Meditavism the concept of "absolute mental empty" is expressed in the quality and capacity of the artist to be the scholar and the impartial observer of the final Artwork who he himself has realized.
12. In Critical Meditavism the final Artwork is the extension of thought and action of the artist.
13. In Critical Meditavism the artist and the final Artwork are the same thing.
14. The artists who will recognize themselves in this philosophical vision applied to art, will be called by the term of Meditavists.
15. The first Meditavist Artwork is the work Number One of the Conceptual Elaboration Cycle created by the artist Massimo Taccon in 1999, and today it is declared of universal heritage, in order to witness the moral engagement that the Meditavists has taken towards the rest of humanity, as custodians of the "truth" in the art.
16. This manuscript in original is preserved togheter with the artwork aforesaid. 17. On these grounds we found today the Critical Meditavism.

Signed by the founder, thinker and theoretician of the art movement called with the name of Critical Meditavism.

Rome September 14, 2010 The artist Massimo Taccon


Versione Italiana
MANIFESTO DEL "MEDITAVISMO CRITICO"

1. Il Meditavismo Critico è un movimento artistico di natura interiore che colloca l'arte nella centralità delle esigenze dello spirito umano e che qualifica l'artista come scienziato ed esploratore della creatività umana.
2. Il Meditavismo Critico, come movimento artistico, si contrappone ad ogni forma di materialismo e si considera figlio di questo tempo.
3. Il Meditavismo Critico si fonda sui principi di libertà, di pace, di verità, di indipendenza e di integrità intellettuale e morale dell'artista rispetto alla società civile, politica e religiosa di cui egli stesso ne è espressione.
4. Il Meditavismo Critico è transnazionale perchè appartiene all'umanità tutta in generale.
5. Il Meditavismo Critico riconosce tutti i principali movimenti artistici precedenti ad esso e si pone in una posizione di superamento dei limiti fisiologici da questi sperimentati.
6. Nel Meditavismo Critico l'artista si pone al centro del suo mondo interiore e del suo mondo esteriore.
7. Nel Meditavismo Critico l'artista si pone al centro del suo mondo materiale e del suo mondo immateriale.
8. Il Meditavismo Critico si fonda sul concetto del "vuoto mentale assoluto".
9. Nel Meditavismo Critico il concetto del "vuoto mentale assoluto" si esprime nella qualità e nella capacità dell'artista di essere lo studioso e l'osservatore imparziale del proprio pensiero creativo.
10. Nel Meditavismo Critico il concetto del "vuoto mentale assoluto" si esprime nella qualità e nella capacità dell'artista di essere lo studioso e l'osservatore imparziale della propria azione creativa.
11. Nel Meditavismo Critico il concetto del "vuoto mentale assoluto" si esprime nella qualità e nella capacità dell'artista di essere lo studioso e l'osservatore imparziale dell'Opera finale da lui stesso realizzata.
12. Nel Meditavismo Critico l'Opera finale è l'estensione del pensiero e dell'azione dell'artista.
13. Nel Meditavismo Critico l'artista e l'Opera finale sono la medesima cosa.
14. Gli artisti che si riconosceranno in tale visione filosofica applicata all'arte, verranno chiamati col termine di Meditavisti.
15. L' Opera prima meditavista coincide con l'Opera Prima del Ciclo Elaborazioni Concettuali dell'anno 1999 realizzata dall'artista fondatore Massimo Taccon e viene oggi dichiarata di patrimonio universale, a rappresentazione dell'impegno morale che i Meditavisti, in qualità di custodi del "vero" nell'arte, hanno preso nei confronti del resto dell'umanità intera.
16. Questo manoscritto in originale viene conservato insieme all'Opera sopradetta.
17. In base a tutto ciò si fonda oggi il Meditavismo Critico.

Firmato dal fondatore, pensatore e teorizzatore del movimento artistico chiamato col nome di Meditavismo Critico.

Roma 14 Settembre 2010 L'artista Massimo Taccon

Credit Card Offers: How to Deal with Them

If you’re a person who carries a balance, credit card offer might be the least thing on your mind right now. Credit card offer, no matter how enticing and convenient it might seem, may be the most expensive loans made by banks, department stores, and gasoline companies for you.

Sometimes, no matter how hard you try not to give in to the temptation the credit card offers, material cravings can sometimes be more powerful than the will of the mind. No matter how hard you try to resist the convenience and leisure the credit cards offer, you cannot help but to indulge. And the moment the credit card issuer offers you a card you can hardly wait for t to be approved and to use it to pay for items and services you fancy.
To avoid going beyond your credit limit, by now, you should know when to resist and indulge into the convenience the credit cards offer. Knowing how much the service provider or the store merchant collects from what you owe to your card issuer, you shouldn’t allow yourself spend what you don’t think you cannot pay. Or, by now, you should learn how to pay off what you owe each month, as long as you pay a minimum amount each time because this is what you get from what the credit card offers: interest on the balance you owe at the end of each period if do not pay the full balance every time your bill arrives.

If you are having problems saying “no” to credit card offers, the most effective way to prevent yourself in engaging into another compromise is a little bit of truth serum—how much credit card issuers get from the transaction you engage with them. Although credit card offers the almost priceless campaign ultimate convenience, think about this: the people who offer credit cards generate high profits from the people they have issued the card. Basically, reciprocal to what the credit card offers, is the high rate of interest. The convenience credit card offers sometimes no longer mounts up to the interest on credit cards alone but also from the bulk of accounts the bank profits for every credit card issued.

There are also those companies that charge an annual fee as part the credit card offer. But most of these companies sometimes charge late fees, over-the-limit fees, and other “miscellaneous” charges that the credit card holder often mistook as part of the service charge. Now, knowing how much you really “contribute” to the companies’ profit every time you pay what the merchant charges or every time you pay the fees to service providers—would you still be blinded with what the credit card offers?

What you can do

Wanting to breakaway from the habitual indulgence to credit card offer? Here are some tips that can help you veer away from the constant misleading promises and overwhelming credit card offer. Before you give in to what a certain credit card offers, think first what’s the purpose of filling out an application for a credit card and why do you need it and how sure are you that you can comply with the conditions of having another card. If ever your needs really demand for a credit card, then you must look for the most suitable type that will work best for your specific situation. Sometimes it is not enough to shop around for credit cards based of what they offer. More often than not, it pays to understand the terms of what the credit card offers before you getting the card. You must also take time to review the disclosures of terms and fees might appear on credit card offers you receive.

If you are really a person who cannot say “no” to numerous credit card offers, you must learn to pay bills punctually so the interest and charges are as low as possible. It also pays to read monthly statements while keeping the copies of sales receipts so you would compare the charges.
Indeed, having a credit card has become ingrained in the consumer’s psyche. That’s why it is imperative that people understand clearly the responsibilities of being a credit card holder and not juts base their assumptions on what the credit card offers.

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